...for readers who love animals, and animal lovers who read!

Sunday, November 22, 2015

Interview with DOGLAND Author Jacki Skole

Tell us about your latest book.
DOGLAND: A Journey to the Heart of America’s Dog Problem intertwines two stories. The first details my search to find the person who surrendered my dog to a North Carolina shelter when she was only six weeks old; the second examines our country’s dog problem and seeks solutions to fix it.
For many people, the notion that America has a dog problem is hard to fathom when nearly forty percent of U.S. households include at least one dog. And when those of us who live with dogs spend several billion dollars on them each year, fulfilling their needs (food and veterinary care) and our wants (canine massages, monogrammed sweaters, and diamond—yes diamond!—dog collars). It’s not an overstatement to say that many pets live lives we, humans, can only dream of living. Yet animal welfare groups say shelter euthanasia remains the leading cause of death for America’s canines. And ninety-percent of those killed, they say, are healthy, adoptable, and would make great pets. 

What was it about the subject that inspired you to write?
I didn’t set out to write a book so much as I set out to discover why the puppy I adopted from a small rescue organization seemed unusually submissive and fearful of men, and why she—a dog from North Carolina—was up for adoption in a New Jersey garden-supply store.
At the time I began to dig for answers, I was in the midst of a career crisis: Should I pursue a doctoral degree in education? Could I be content as a stay-at-home mom and adjunct instructor, teaching just a few communications classes each semester? What was my purpose?
As I uncovered little bits about Galen’s past and learned about the scope of the dog problem in the United States, I realized there was a story that needed telling—not just about all the healthy and adoptable dogs being killed in shelters (that story’s been told), but about what’s being done—and what more can be done—to save lives and stop the killing.
I now had my purpose.

What is the biggest challenge you’ve faced as a writer and how did you overcome it?
I think it’s hard to choose the “biggest” challenge as there are so many hurdles a writer encounters. In my case, being a journalist, the initial challenge I faced was simply getting people to talk to me. I had to persuade animal shelter directors who’d seen their shelters skewered in the media—sometimes fairly, sometimes unfairly—to allow me in. I had to persuade an animal rescuer-turned-hoarder to share her story because hoarding by people who start out in rescue is a growing problem. I had to persuade rescue groups and animal welfare organizations that are often distrustful of outsiders that they could trust me.
How did I get over these hurdles? By being upfront about my intention to tell the story honestly and above all, that I was motivated to seek solutions, not to place blame.
Of course, once I’d done my reporting and knew I had a story to tell, I had to figure out how best to tell it.
And then there’s finding an agent—I was unsuccessful at that. And a publisher—I succeeded there, thanks to an article in Writer’s Digest urging writers—especially debut authors—not to overlook small, independent presses. It was that article that led me to Ashland Creek Press. The press’s commitment to environmental and animal themes makes it an ideal home for DOGLAND.

Tell us about your pets, or other animals that inspire you.
I have no doubt that had my family not adopted Galen, I would not have written DOGLAND.
From Galen’s earliest days with us, I found myself comparing everything about her—her submissive personality, her physical features, her actions—to our previous dog, Gryffin. I even started a blog called she’s a dork where I posted vignettes about her quirkiness.
Like Galen, Gryffin had been a rescue. And he, too, had personality quirks that I wondered about, but I’d never thought to investigate his past. There was simply something about Galen that compelled me forward.
What question do you wish interviewers would ask?
I know that not everyone who reads interviews about DOGLAND will go on to read the book, so an important question to be asked—and to be answered—is this: How can someone not involved with animal welfare get involved and help save lives? 
There are numerous ways; it’s simply a matter of finding one that works for you. Here are some suggestions:
·         I am donating all the proceeds from sales of DOGLAND to the extraordinary non-profit programs profiled in the book. These programs survive—and thrive—on donations. Any amount of money you can donate to an animal welfare organization—be it one in the book, your local animal shelter, a rescue group, a low-cost spay/neuter clinic—will be used to save lives.
·         You can foster a shelter dog. Fostering socializes a homeless pet, readying him to be adopted into his forever home. Not only that, fostering opens up shelter space for another dog. Unfortunately, some shelters are so crowded, they euthanize healthy, adoptable dogs to make space for incoming ones.
·         You can volunteer at your local shelter. Volunteering can include taking dogs for walks. This means you get your exercise while doing the important work of walking and socializing a homeless Fido.
·         Adopt your next dog from an animal shelter or rescue, and encourage want-to-be-dog owners you know to do the same.
·         Join Facebook and follow your local shelter and local animal rescues. When they post photos of dogs who need homes, share those dogs with your own social network.

Jacki Skole is an award-winning journalist and adjunct professor of communication. She launched her journalism career at CNN, first as a news writer, then as a producer in the network’s documentary unit; she’s also produced programs for Animal Planet and HGTV.
Jacki lives in New Jersey with her husband and three daughters—two human, one canine. It is Galen, Jacki’s canine daughter, who inspired the journey that resulted in DOGLAND.

Helpful Links:
DOGLAND on Amazon
Twitter @JackiSkole
Facebook fan page 




Sunday, November 15, 2015

The Joys of Being Outnumbered


by Janis Susan May/Janis Patterson


In a way I feel sort of a cheat. I don’t put animals in my books, at least not in any major roles. I do, however, have them in major roles in my life, roles so major that I sometimes feel like a minor character.

I believe firmly in adopting rescue pets, so much so that The Husband’s and my favorite charity is East Lake Pet Orphanage. Right now we have two cats – a frail little tuxedo named Squeaky Boots and a simply enormous grey/brown tabby called Chloe – and an extremely prissy little dog of uncertain antecedents whom we call Mindy Moo the Monkey Dog, for reasons too complicated to go into now.

We like to say Mindy is half terrier mix and half diva. And she can be fierce, even though she is only 12 pounds. For reasons we can only guess, she simply loathes big dogs. When loathing is not enough, she will attack. I have pulled her off the chins of more startled big dogs than I care to remember – it is a nerve-wracking experience. On the other hand, it can be effective. For several years there was a Harlequin Great Dane in our neighborhood that would drag his owner to the other side of the street whenever we happened to see each other out walking.

But Mindy is not the queen of the house. That title belongs to elderly, frail Squeaky Boots, who – without the basic tools of claws or fangs – rules the roost with an iron paw. If she wants to eat or drink something, the owner of said treat simply steps aside. Same with a prime seat. If Squeaky Boots wants, Squeaky Boots gets. Perhaps it comes from her early life – we know little about her, except that she had five homes before she was four years old, and that in the last one she had to scrap for every bite of food she got.

By contrast, Chloe is a world-class wimp. Although she is huge – 16+ pounds and when stretched out almost as long as a king-sized pillow – she is shy and timid and incredibly neurotic. We know little of her early life, except that she was a police seizure from a home where she had been tortured for years. Every time I visited the orphanage she had invariably wrapped herself in a towel with only her tail sticking out. I brought her home while The Husband was deployed abroad. Like we’re told to do, I put her in a room by herself for a few days so she and Squeaky Boots (Mindy had not joined us yet) could smell and hear each other but with no contact, and I would spend a couple of hours a day in there, reading aloud or perhaps working on my laptop. Chloe cringed and hid, but did not fight too much when I picked her up and held her for a minute or two a couple of times a day. I thought we were making progress.

Then after a couple of days I decided to let her out… and she promptly disappeared. It was two or three weeks or more before I even caught a glimpse of her. Taming her took months. It started with just the touch of a fingertip on her tail. Then she let us touch her head. Then on one glorious day she started rubbing against my leg when she wanted to be touched. She learned that if I was working at my computer – which I nearly always am – she could butt her head against my leg and I would then be allowed to scritch her head for a moment.

I always played along, but once she butted my head in search of a head scritch at the wrong time. I was lost in my work and could not turn loose of the words to play with her. She butted again, once more without my responding.

Chloe has both claws and very intimidating fangs, and she wields both with skill. She turned her head and sank her fangs into my leg. Hard. She neither moved nor ran when I jumped and screamed, but merely butted my leg once more, demanding her scritch. I was overjoyed. She even allowed me to pick her up, put her in my lap and pet her. I didn’t even mind that blood was running down my leg.

And Mindy? Mindy simply moved into our home and hearts. You’d never believe what she suffered before she finally ended up with us, or how we managed to get her. That’s the subject for another blog. Now she is happy to sleep at my feet when I write and with her courageous barking protects the house from sinister mailmen, marauding moths and other offenders.

So how is it working at my writing when I am surrounded and outnumbered? It feels great. At least one is always at my feet or on my desk, and the others are usually within scritching distance. Normally the babies are pretty good about not disturbing me, especially while I’m working, unless it’s time for din-din, when everything descends into pandemonium. But with the love and companionship of three wonderful, affectionate animals, even pandemonium is great.

~~~

Janis Susan May Patterson is a seventh-generation Texan and a third-generation wordsmith who writes cozy mysteries as Janis Patterson, romances, horror and other things as Janis Susan May, children’s books as Janis Susan Patterson and non-fiction and scholarly works as J.S.M. Patterson.
Formerly an actress and singer, a talent agent and Supervisor of Accessioning for a bio-genetic DNA testing lab, Janis has also been editor-in-chief of two multi-magazine publishing groups as well as many other things, including an enthusiastic amateur Egyptologist. She is a founder of RWA and currently serves on a regional MWA Board.
Janis married for the first time when most of her contemporaries were becoming grandmothers. Her husband, also an Egyptophile, even proposed in a moonlit garden near the Pyramids of Giza. Janis and her husband live in Texas with an assortment of rescued furbabies.
Find Janis on Twitter @JanisSusanMay and on Facebook at Janis Susan May.


Sunday, November 8, 2015

Interview with Author Marilyn Meredith

Tell us a little bit about your journey as a writer.
My journey began when I was a child—I drew picture books before I could read or write (I was 4) based on a soap opera my mother listened to called “My Gal Sunday.” When I could read and started on the Little House on the Prairie series, I wrote my own version. I continued writing stories and added plays for my neighborhood friends to perform. When I married and was raising a family, my writing was confined to the PTA newsletter and plays for my Camp Fire Girls. I attempted three full length books, sent them off, and they were rejected. Didn’t write anymore for a long while. Wrote a historical family saga based on my own family genealogy, it was rejected and rewritten many times, but finally accepted and published, and I haven’t stopped since. Though I’ve written in several different genres, I’ve settled in writing mysteries. The first one was published as an e-book before anyone had a clue what that was. I championed e-books for a long time before people accepted them. I have two series: the Deputy Tempe Crabtree series and the Rocky Bluff P.D. series.
Tell us a bit about your latest book.
In my latest Deputy Tempe Crabtree mystery, Not as it Seems, Tempe and her preacher husband Hutch, travel to Morro Bay to attend their son Blair’s wedding. The maid-of-honor has disappeared, and Tempe is enlisted to look for her. The search is complicated by too many suspects, ghosts, and native spirits.
How do you develop your characters?
Because I’m writing a series, my main characters are already developed. When beginning a new book, along with a fresh plot, I have to create a victim and several folks who might be the murderer. Once I begin to get an idea of who each one is, I choose a name that I think fits, and the rest seems to come naturally.
What inspires you and keeps you motivated?
My main series characters are the ones who inspire me and keep me writing about them. I’ve come to think of them as family and I want to know what’s going to happen to them next and the only way to find out is to write the next book.
What are you working on now and what are your future writing plans?
I’m writing the next Deputy Tempe Crabtree mystery while reading the chapters of my other series to my writing group. And like most authors, I’m working on promotion of some sort nearly every day. I suspect that will all continue.
Butch
Tell us about your pets, or other animals that inspire you.
Right now we have two inside cats, Butch and Sundance. Though both like to hang out in my office with me, neither get on my desk or computer. That’s a good thing, because they are both really big cats. I’ve never included either one in a book and I’m not sure why. We live in the country, and outside we always have feral cats (people drop their unwanted cats off) that we keep water available for and feed.

To buy Not as It Seems


Marilyn Meredith lives in the foothills of the Southern Sierra, about 1000 feet lower than Tempe’s Bear Creek, but much resembles the fictional town of Bear Creek and surroundings. She has nearly 40 books published, mostly mysteries. Besides writing, she loves to give presentations to writers’ groups. She’s on the board of the Public Safety Writers Association, and a member of Mystery Writers of America and three chapters of Sisters in Crime. 



Sunday, November 1, 2015

Adopter Beware by Jacki Skole

It's my pleasure to welcome Jacki Skole, author of Dogland: A Journey to the Heart of America’s Dog Problem, back to WOA. We would all like to think that anyone calling herself an animal rescuer is a good and honest person, but as in all areas of life, that isn't always the case. Jacki offers some tips to help you assess rescuers and rescue programs before you support them with your money.  ~ Sheila Boneham (author of Rescue Matters: How to Find, Foster, and Rehome Companion Animals). 

Many of us have seen them on the weekends—puppies and dogs up for adoption in local pet stores. Some of us have even adopted one of these homeless pups. Most of the time, it’s a rescue group, not the retailer, running the show. And most of the time, the rescue is working in the best interest of its animals. But as I learned while reporting DOGLAND, there are some so-called rescues that are simply turning dogs for dollars.
“Rescue has become part of the pet trade,” according to Libby Williams, who runs Pet Watch New Jersey, a non-profit that seeks to educate people about shady rescues and puppy mills. “There is a lot of selling going on for profit, and a lot of so-called rescues preying on the emotions of adopters.” The result: Dogs that have not been vetted or behavior tested are being adopted out, situations that can be both deadly and dangerous.
How can you determine if you’re dealing with a rogue rescue? Here are seven warning signs:
  • Payment is cash-only. The rescue won’t take your check or credit card.
  • There are a high volume of puppies for adoption. These “rescues,” also known as puppy-flippers, sometimes get their puppies from puppy mills and then advertise them as shelter dogs. 
  • Dogs lack health records, and if a dog has crossed state lines, there’s no inter-state health certificate. A rescue should be able to provide you with the names of the veterinarians who treat its dogs.
  • The rescue won’t guarantee a dog’s health for even 48-72 hours.
  • The rescue won’t take back a dog if the adoption doesn’t work out.
  • The rescue’s website and/or Facebook page doesn’t include the names of the people associated with the rescue or any means to contact the rescue, such as a phone number or email address.
  • The rescue doesn’t interview you. Just as you want to ensure the rescue is reputable, the rescue should want to make sure it’s turning over its dogs to the best home possible. Thus, reputable rescues screen applicants, require references, and whenever possible, do home checks.

Bottom line: Ask questions! A legitimate rescue will have the answers to your questions and will be happy to provide them. If you believe you are dealing with a rogue rescue, contact your local SPCA or police department.
Finally, if you find a rescue you really like, support it! Chances are, that rescue is run by a bunch of volunteers with full-time jobs who simply love dogs and who are driven to save lives. What’s more, it’s likely that the rescue is funded entirely by donations and by its members dipping into their own pocketbooks to keep the rescue solvent.


Jacki Skole is an award-winning journalist and adjunct professor of communication. She launched her journalism career at CNN, first as a news writer, then as a producer in the network’s documentary unit; she’s also produced programs for Animal Planet and HGTV.
Jacki lives in New Jersey with her husband and three daughters—two human, one canine. It is Galen, Jacki’s canine daughter, who inspired the journey that resulted in DOGLAND. 
Helpful Links:
Website: www.jackiskole.com
DOGLAND on Amazon
Twitter @JackiSkole
Facebook fan page



Sunday, October 25, 2015

Never trust a man a dog doesn’t like

by Judy Alter

I feel a bit like George W. Bush here, the time he got mixed up on “Fool me once, shame on you, fool me twice” and ended with “Aw, you know what I mean.” But the saying I have in my mind is “Never trust a man who doesn’t like dogs; always trust a dog who doesn’t like a man.” Or something like that.
It’s an accepted fact that dogs have some kind of sensitivity that humans either lack or ignore. Scientific studies have shown, for instance, that trained dogs can sense their owner’s seizure before the owner can because the dog recognizes changes in chemistry, behavior, probably even scent. Guide dogs operate on a similar sensitivity to their owners’ needs and anticipate such problems as stairs, solid objects, etc.
But what about your average pet? I had an Aussie who could sense a thunderstorm hours before it hit—scientists think now they feel earth vibrations that we don’t. Scooby would begin to pace when there was no sign of a storm, and his panic grew so bad the vet prescribed tranquilizers. Trouble was I waited until the storm was close to give him the pill, and it had long passed when the pill took effect and then he was somnambulant.
After years of owning several dogs, I am down to one—sometimes I call her my dotage dog. She’s a deliberate cross of a miniature poodle and a border collie, and she’s loveable, adorable, and fierce when protecting the house from the inside. I can tell in the night from the tone of her bark whether or not it’s something I need to get up for. Usually not. But sometimes there’s a deep, low-throated growl that gives me the shivers. What would she do if I was ever attacked…or one of her favorite people, like my grandson? I don’t know, hope I never have to find out. Sophie’s a friendly, happy creature so believe me if she ever growled at someone, I’d take it seriously. I wonder though why one minute she is sleeping peacefully in her bed in the bedroom and then with a yelp is racing to bark furiously out the front door. What signal did she get?
In my new mystery, Murder at Peacock Mansion, a dog’s intuition plays a big part, and I’m not sure scientific experiments would verify this. The dog is at Kate Chamber’s house, in the backyard, going crazy—barking, pacing, all the things that dogs do when upset. Kate is having her own anxiety attack because her partner/lover missed dinner the night before and she can’t find him by phone. She plans to go to his house to check on him, but Huggles, the dog, refuses to let her go without him.
Turns out Huggles instinct or intuition was right on. Someone has burned the house down. Kate assumes David is dead, but Huggles leads her to his car, parked a bit away, where David lies, gravely beaten and barely alive. Now that part can be explained by science—Huggles sensed probably body odors, fear, a trail—all believable. So is what he did next—jumped on David to keep him warm.
But is it possible that Huggles knew, from fifteen miles away or so, that David was in danger? Or was he picking up on Kate’s anxiety? Did he realize David was missing? Until we can teach dogs to talk, we’ll never know for sure. But I prefer to believe that the dog, a labradoodle, sensed one of his owners was in trouble over that distance. And it worked well for the plot.

Murder at Peacock Mansion
Arson, a bad beating, and a recluse who claims someone is trying to kill her all collide in this third Blue Plate Café Mystery with Kate Chambers. Torn between trying to save David Clinkscales, her old boss and new lover, and curiosity about Edith Aldridge’s story of an attempt on her life, Kate has to remind herself she has a café to run. She nurses a morose David, whose spirit has been hurt as badly as his body, and tries to placate Mrs. Aldridge, who was once accused of murdering her husband but acquitted. One by one, Mrs. Aldridge’s stepchildren enter the picture. Is it coincidence that David is Edith Aldridge’s lawyer? Or that she seems to rely heavily on the private investigator David hires? First the peacocks die…and then the people. Everyone is in danger, and no one knows who to suspect.


An award-winning novelist, Judy Alter is the author of six books in the Kelly O’Connell Mysteries series: Skeleton in a Dead Space, No Neighborhood for Old Women, Trouble in a Big Box, Danger Comes Home, Deception in Strange Places, and Desperate for Death. She also writes the Blue Plate Café Mysteries—Murder at the Blue Plate Café, Murder at the Tremont House and the current Murder at Peacock Mansion. Finally, with the 2014 The Perfect Coed, she introduced the Oak Grove Mysteries.
Her work has been recognized with awards from the Western Writers of America, the Texas Institute of Letters, and the National Cowboy Museum and Hall of Fame. She has been honored with the Owen Wister Award for Lifetime Achievement by WWA and inducted into the Texas Literary Hall of Fame and the WWA Hall of Fame.
Judy is retired as director of TCU Press, the mother of four grown children and the grandmother of seven. She and her dog, Sophie, live in Fort Worth, Texas.





Sunday, October 18, 2015

Interview with Author Suzanne Adair

I'm delighted to welcome author Suzanne Adair to WOA to talk about how the Southern theater of the Revolutionary War sets the scenes for her books. ~ Sheila



Tell us a little about your journey as a writer (one reasonably short paragraph)

I started writing fiction when I was in second grade in Florida and completed my first novel-length manuscript when I was twenty-two, around the time I received a BS in Microbiology. Fifteen years later—after earning an MBA in Marketing in Georgia, getting married, having two children, and starting my own business—I signed on with my first of several literary agents. However I wasn’t published for another eleven years, and by then, I’d completed ten novel-length manuscripts, gotten a divorce, and moved with my children to North Carolina. After publishing my first three books, the press I’d signed with went out of business. I struggled to find another publisher and finally decided to self-publish the remaining books in the series. I use a professional editor and professional designers for the cover and interior layout to make sure that the quality of my books equals that from traditional publishers.



Tell us a bit about your latest book (or the book you are presenting here - or other project if you are an artist/photographer)

Here’s the book description for Deadly Occupation: A Michael Stoddard American Revolution Mystery:
***
A wayward wife, a weapons trafficker, and a woman with “second sight”—it’s a puzzle that would have daunted any investigator. But Michael Stoddard wasn’t just any investigator. Late January 1781, in coastal North Carolina, patriots flee before the approach of the Eighty-Second Regiment, leaving behind defenseless civilians to surrender the town of Wilmington to the Crown. The regiment’s commander assigns Lieutenant Michael Stoddard the tasks of tracking down a missing woman and probing into the suspicious activities of an unusual church. But as soon as Michael starts sniffing around, he discovers that some of those not-so-defenseless civilians are desperately hiding a history of evil. 
***
Deadly Occupation was originally the first book in the Michael Stoddard series. While I was searching for a publisher for this series, the editor at a traditional, mid-sized press read the manuscript and refused to believe that the civilians in Wilmington would have simply surrendered to the redcoats. The editor was certain that they’d have fought a la “Red Dawn.” Even when I offered to show my primary documentation to back up my depiction of the event, the editor still didn’t believe it.
 I had no intention of writing incorrect history, just to please an editor. However, I’d previously encountered difficulty with New York City editors believing the Southern setting for my series, and I wondered whether readers would disbelieve the occupation. So after unsuccessful additional attempts to sell Deadly Occupation, with a few keystrokes (just a few, as my books are stand-alone reads), I converted Regulated for Murder into the first Michael Stoddard book. This means I didn’t listen to my own advice below for “What advice do you have to offer to an aspiring author?” Several people who’d read Deadly Occupation kept bugging me to publish it and declared that it was too good to stay in a drawer. I finally listened to them. I’m so pleased with the way that Deadly Occupation slides right into place as the first book of the series. If I hadn’t told you all this, you’d be none the wiser about the effort I went through with the book. :-)  

How do you develop your characters? Are any of them based on real animals or people?

The eponymous, redcoat investigator protagonist of the Michael Stoddard American Revolution Mystery series initially showed up as a minor character in my early mysteries about the Revolution: Paper Woman, The Blacksmith’s Daughter, and Camp Follower. As Michael was a junior officer and investigator in those books, I decided to give him his own series when I made the decision to explore in mystery fiction the year 1781 in North Carolina. The Eighty-Second Regiment (British) occupied the port town of Wilmington, NC in January of that year and, through mid-November, successfully rallied loyalist allies and blocked the Continental Army from moving troops and supplies through the state. It was quite a success for the British—which is probably why American high school students aren’t taught about it in history class.
I transferred Michael to the Eighty-Second before the regiment arrived in Wilmington. Through his eyes, readers see that piece of history. They feel jubilation at the Eighty-Second’s achievements as well as dismay when word arrives of Cornwallis’s surrender in Yorktown (game over). Michael’s personal and professional goals are challenged throughout the series. I paint a very human face on this Yorkshire-born soldier.
Because most detectives (fictional and real) don’t work alone, I gave Michael an assistant investigator. At age eighteen, Private Nick Spry is about eight years younger than his boss, and he’s a raw recruit from Nova Scotia. Spry’s a smart fellow, and because he’s also fun loving, he’s a perfect complement to Michael, who has a stodgy streak. What gives Spry depth is his dark and knotty past—a past that, if known, could get him hanged.
While garrisoned in Wilmington for the better part of 1781, Michael is finally in one place long enough to acquire a love interest from among the locals. Kate Duncan, owner of a tavern, has earned the unflattering moniker “the Ice Widow” from her response to having her heart broken by her scoundrel husband before he died. But the interesting thing about broken hearts is that Michael has one, too.
A host of other “regular” characters weave in and out of the series. Some of them, like the double-spy and ranger Adam Neville, and the housekeeper Enid Jones, come from my first trilogy. Some are unique to Michael’s series. However no fictional journey would be complete or satisfying for the reader without a villain worthy of the protagonist. In each book, Michael brings a different adversary to justice. However he ultimately has to defeat his own demons so he can triumph over his nemesis, another British officer: the smooth and sociopathic Dunstan Fairfax, who has menaced Michael since Paper Woman.
Are any of these people based on real people? No. But the tribulations of Trouble the Bulldog in Deadly Occupation were inspired by what happened to Vick’s Pit Bulls. 


How do you construct your plots? Do you outline or do you write “by the seat of your pants”?

I do a combination of outlining and “pantsing.” At the beginning of a first draft, I know how the book will start, how it will end, and a few points in between. I also know a good bit about my characters (but not everything because they can and do surprise me). I’ve learned to not outline at the very beginning, because the plot won’t follow the outline. So I start writing by the seat of my pants, aiming for one of those intermediate points. About 15 – 20% of the way in, my characters grab the helm away from me and show me how the story is supposed to progress. By halfway through the first draft, I’m making notes and crafting an outline for plot points that must happen and details I must include to make the ending wrap up correctly.
The external framework of Michael Stoddard’s series uses the actual history of 1781. A number of remarkable events occurred during the Eighty-Second’s occupation, and I wanted to write about them. Thus each book in Michael’s series showcases real history.
Meanwhile, Michael must grow internally as the series progresses. I use those external events to set up internal challenges and growth opportunities for him. 


Which do you consider more important, plot or character?

Character, absolutely. Characters and their needs drive the plot.



What is the biggest challenge you’ve faced as a writer and how did you overcome it?

After the traditional press that published my first three books folded, I found that bookstores would no longer carry my books—not even the three traditionally published books. Some bookstores will now sell my books on consignment when I’m there for an event, but others refuse to return my phone calls or emails.
As many authors have discovered, books can be sold in places other than bookstores, such as libraries, festivals, conferences, workshops, and coffeehouses. I’ve gotten creative about where I sell. I go where my readers hang out. The beauty about writing historical mysteries is that I can sell my books at historic sites.
In the almost five years since my publisher folded, I’ve also established a good online presence with a blog and social media. I’ve learned what my readers want, and I give it to them.



Suzanne during a reenactment
What inspires you and keeps you motivated?

I love it when I’m teaching a workshop, and a point I’ve made connects with an attendee, and suddenly that person figures out how to fix a manuscript. I see the light go on in their eyes. Yes.
Readers write to tell me that they couldn’t put my book down, or it helped them get through a rough spot in their day, or they found the history so fascinating that they decided to do their own research. Yes.
And hey, the pressure is always on from those annoying characters in my head yammering at me to hurry up and tell their stories. 


What are you working on now and what are your future writing plans?

I’m working on more Michael Stoddard books. At this point, it looks like there will be three more in the series, for a total of six. The fourth book, started during NaNoWriMo 2014, deals with one of those remarkable incidents from the occupation: the visit of William Hooper to Wilmington in July 1781, while under a white flag of truce. Hooper was one of North Carolina’s signers of the Declaration of Independence—quite a prize to be captured at a time when the British were imprisoning other patriot leaders—yet the British didn’t arrest him. In fact, they wined and dined him while he was there. This incident, like several others during the occupation, demonstrates that the motivations of people throughout history have been so much more complex than what they get reduced to in a history textbook.
I also have a science fiction series set in the 24th century. I’m three-quarters through the third draft of the first book, and next two books are complete at the first draft level.
And there’s a contemporary paranormal romantic suspense series that I want to revisit. The first three books are complete at the first draft level.
Oh, the whiplash I get when I jump from the 18th century to the 21st century to the 24th century.



What is a typical workday for you and how many hours a day (or week) do you devote to writing?

I can edit any time of the day, but I write the best before noon. If I’m in the thick of writing a novel, I may spend 40 – 60 hours per week writing. Often, though, I cannot spend that much time writing because I have to promote for part of the day. 


If you could take only three books with your for a year-long writing retreat in a gorgeous setting with no library, which three would you take?

I kinda doubt I’d take more than a dictionary and thesaurus to a place like that. I’d definitely take plenty to write with. If there were no Internet, wow, the first few weeks would be painful.   
Tell us about your pets, or other animals that inspire you.

Annabelle
Since 1990, my dogs have spent a great deal of their snooze time curled up below my desk at my feet while I write. Calypso and Annabelle were Beagles. The dog I have now, Cleo, is a rescue and a “Beagliere,” an Australian “designer” cross between a Beagle and a Cavalier King Charles Spaniel. All three of these dogs have inspired me with their quiet companionship.



Who are your literary heroes? (Writers whose work you love)

In no particular order: Daphne du Maurier, Robert Louis Stephenson (we have the same birthday), Mary Stewart, Ellis Peters, Rudyard Kipling, Alexandre Dumas, Arthur Conan Doyle, Andre Norton, Ursula K. LeGuin, and J. R. R. Tolkien.



What advice do you have to offer to an aspiring author?

General advice: It took me more than twenty-five years to get published. To succeed, you have to have faith in yourself, persevere, and listen to your instincts. There are a lot of killjoys out there, and you may receive misdirection. Ultimately, you’re the one who knows what’s right for your writing career. If you can envision it, you can become it.
Advice for writers of historical fiction: There’s only so much you can comprehend about the past by reading and listening. Historical accuracy and attention to detail help make history come alive for readers, so you cannot afford to be “armchair” about it. To make an adventure in the past real and establish your storyteller credibility with twenty-first-century readers, you have to get out there and live the time period. Become involved with a reenactment group. Live in historically accurate clothing for a weekend event. Explore the technology, food, and weaponry available from that time period. Visit the historical site. Readers can tell if you’ve never worn period clothing, discharged a period weapon, or “been there.”



Where can we learn more about you and your books?

Availability: 
Kindle USKindle UKNookAppleKoboPaperback
Social media links:
Web site andblog.Quarterlyelectronic newsletter.FacebookTwitter




Award-winning novelist Suzanne Adair is a Florida native who lives in a two hundred-year-old city at the edge of the North Carolina Piedmont named for an English explorer who was beheaded. Her suspense and thrillers transport readers to the Southern theater of the Revolutionary War, where she brings historic towns, battles, and people to life. She fuels her creativity with Revolutionary War reenacting and visits to historic sites. When she’s not writing, she enjoys cooking, dancing, hiking, and spending time with her family.




Wednesday, October 14, 2015

Under Cover of Midnight: A Midnight Ink Blog: Fifteen Fun Facts: Sheila Webster Boneham

Under Cover of Midnight: A Midnight Ink Blog: Fifteen Fun Facts: Sheila Webster Boneham:

This week, Midnight Ink presents Fifteen Fun Facts about Sheila Webster Boneham, author of the Animals in Focus mysteries. Her latest, Shepherd's Crook, was released earlier this month.